Centrifugal

belfast: helsinki: zagreb: london

Archive for the ‘Practices’ Category

Zagreb Screenings

Posted by theambulator on May 16, 2007

24.5. ; 20h; MM centar
Loose Connections: Contemporary art practice and
“Protokol SC: Centrifugal, sequence II” present:
Jeremy Deller, The battle of Orgreave, 62′37”.

29.5. ; 20h; MM centar
Centrifugal video selection

31.05.; 20h, MM centar
Loose Connections: Contemporary art practice and
“Protokol SC: Centrifugal, sequence II” present:
Francis Alys, When Faith Moves the Mountains, 2002.

04.06.; 20h; MM centar
Lecture and screening: “Asylum and asylum seekers’
Hrvoje Juric and Emina Buzinkic

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Zagreb Workshop: RE/NAMING

Posted by theambulator on May 16, 2007

Wed-Thu 23.-24.5.2007 at the Student Centre Gallery (approx. 10-17 daily)

The workshop will explore complex historical, political and cultural layers of our everyday environment with a focus on changing names. The aim is to unearth curious local histories underlying seemingly innocent, uninteresting or even meaningless names. These stories will then be reflected on in relation to some more general critical questions raised by these ongoing processes of renaming that continuously shape our surroundings and ourselves.

The workshop is thematically organized under the following two categories:
1) political, geographical and taxonomical point of view: streets, squares, cities, states, continents, planets, galaxies, etc.
- Why rename? Who renames?
- Does renaming change the object somehow?
2) Social, gender and identity point of view: ourselves, others, groups, gangs, neighbours, nations, etc.
- When do we want to change our name or hide behind a nickname? Why?
- How do we call ourselves and how do we call others? Why?

The work will take place in the gallery and out in the city. The products (drawings, stories, maps, snapshots etc) will be presented in the gallery as part of the Centrifugal exhibition (26.5.-10.6.2007).

The workshop is run by a Finnish artist Kalle Hamm, a participant in the Centrifugal project, whose work examines cultural encounters and their impacts both in historical and contemporary contexts. See e.g. www.spicetrade.org and www.afaryan.org

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Zagreb Workshop: ALTERNATIVE CITY TOURS

Posted by theambulator on May 16, 2007

Thu-Fri 24.-25.5. at the Student Centre Gallery (approx. 10-17 daily)

The workshop sets out to explore, map out and develop alternative city tours that give insights into the city of Zagreb based on unofficial information that reflect the everyday lives and interests of different groups of local people. Content might include nicknames for places or day-to-day practical information (child-friendly cafes and good public toilets, where to find free parking or good shortcuts, etc). The aim of the workshop is to collaborate with diverse groups of users, to discover and document overlapping and perhaps conflicting modes of inhabiting the city.

Types of information to be collected and compiled into the tours include:
Place nicknames: Unofficial place names that people use commonly for places, streets or local landmarks, but which do not appear on official maps and documents.
Changed geographies: Sites of significance that no longer exist; shortcuts by foot, bicycle and car.
Competing perceptions of urban spaces: Different readings of a space held by different groups, e.g. teenagers calling an area yuppie yet yuppies calling the same area rough because teenagers hang out there.
Changing demographics: For example, districts where groups of immigrants settle, or where foreigners buy up investment properties.

Contemporary vernacular information, the way that people describe their urban environment and use local knowledge to navigate it, reveals much about the politics of place. We take a view of the city as a dynamic social network, rather than a physical environment – the built environment is merely the setting, or backdrop, for social activity. Moreover, that environment is very often designed to contain, obstruct or exclude particular groups or individuals, and we’re interested in the ways people find of negotiating these structural exclusions and going about their daily lives.

Plan for the workshop:

The participants in the workshop can identify in advance colleagues, friends and relatives as contacts and sources, and begin to collect information. Everyone should bring to the workshop some initial material, e.g. hand-drawn maps of the areas/points of interest.

In the workshop these materials and ideas will be collated and explored further as a group, going out to the city, identifying and documenting places of interest. Tours will be produced then out of the collected material. These may take a variety of forms, from live sessions with local residents to podcasts, recorded tours on headphones, downloads for mobile phones or even radio broadcasts. The tours or initial drafts for tours will be part of the exhibition Centrifugal: sequence II at the Student Centre Gallery (26.5.-10.6.). The project will then be developed further, in collaboration also with the local residents in Helsinki and Belfast, into an online archive.

The workshop is part of an ongoing project, a collaboration between Belfast-based Aisling O’Beirn and Daniel Jewesbury, for Centrifugal exhibition series in Zagreb, Helsinki and Belfast:

Aisling O’Beirn is a Belfast-based artist, whose recent work is derived from a research into various informal accounts of place, e.g. urban myths, anecdotes, place nicknames, etc. See www.aislingobeirn.com

Daniel Jewesbury
is an artist and writer, and works as a researcher in digital cultures at the Centre for Media Research, University of Ulster. He is currently making a new film about the fragility of memory and biography.

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Centrifugal Participants

Posted by theambulator on May 16, 2007

Sezgin Boynik is a sociologist currently working in Istanbul on a book on punk and underground movement in Turkey in the late 80s and 90s. Previously he has worked on the Situationist International. With Minna Henriksson his ongoing project is on contemporary art and nationalism.

Taru Elfving is a curator and writer, based in London and Finland, currently doing research on contemporary video installation, the space of address and the viewer as witness, at Visual Cultures, Goldsmiths College. Her curatorial practice focuses on critical encounters.

Kalle Hamm in an artist based in Helsinki, whose work examines cultural encounters and their impacts both in historical and contemporary contexts. See e.g. www.spicetrade.org and www.afaryan.org

Minna Henriksson is an artist working broadly in the art field. Her artistic work is based on social research. In the recent years she has been working a lot in the South-East Europe.

Nicole Hewitt is an artist and researcher who lives and works in Zagreb and London. Her recent works are films concerned with the rehearsal, performance and recitation of self as manifested in the Ballroom dancing schools of Croatia, Bosnia and Montenegro. She teaches at the Department of Animation and New Media, at the Art Academy of Zagreb and organises many workshops, events and exhibitions in Croatia ( Protokol 1- 5, Tip 1-3, ).

Daniel Jewesbury is an artist and writer, and works as a researcher in digital cultures at the Centre for Media Research, University of Ulster. He is currently making a new film about the fragility of memory and biography.

Otto Karvonen is an artist based in Helsinki. His work consists mainly of temporary performative actions and sculptural installations that are situated in public space. He runs a window gallery Alkovi as well as teaches at the University of Art and Design in Helsinki.

Susan Kelly is an artist and writer based in London. Her work is concerned with the relationship between art, rhetoric and the micro-political and has been included in exhibitions at the NCCA, St. Petersburg; the Prague Biennial; Mercer Union, Toronto; The Lenin Museum, Finland; Art in General and LMCC, New York; Krasnoyarsk Museum Siberia; pm Gallery Zagreb. She has published articles in Public Culture, the Journal of Visual Cultures, Chto Delat?, re-public art.net. She is a graduate of the Whitney ISP NY, and and is currently a lecturer in Fine Art at Goldsmiths, London

Aisling O’Beirn is a Belfast-based artist, whose recent work is derived from a research into various informal accounts of place, e.g. urban myths, anecdotes, place nicknames, etc. See www.aislingobeirn.com for previous work.

Platforma 981 is a non-profit organization based in Zagreb. Platforma 981 focuses on social and economic changes that occur as a result of Croatia’s efforts to enter the European Union and changes that affect the architecture and urbanism.

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